THE UNIVERSITY OF SASKATCHEWAN’S MAIN CAMPUS IS SITUATED ON TREATY 6 TERRITORY AND THE HOMELAND OF THE MÉTIS.
THE UNIVERSITY OF SASKATCHEWAN’S MAIN CAMPUS IS SITUATED ON TREATY 6 TERRITORY AND THE HOMELAND OF THE MÉTIS.
By The Sheaf April 5, 2014
Diana Son’s Stop Kiss is a beautifully awkward play revolving around a friendship that gradually evolves into love.
By The Sheaf March 23, 2014
Debuting at the Greystone Theatre on March 19, Our Country’s Good marks the end of another prosperous season for the University of Saskatchewan’s drama department.
By Naomi Zurevinski March 21, 2014
Currently on the Persephone main stage in Saskatoon, Equivocation is a gripping play that explores history, politics, morality and the meaning of truth.
By The Sheaf March 10, 2014
As a theatrical performance, Scene Slam offers a very unique experience and opportunity. Going beyond a traditional theatre show, it engages the audience in everything from developing script ideas to acting — leaving it largely up to the crowd to determine how the evening will take shape.
By Matt Cheetham March 16, 2013
The Caretaker is the latest offering of the Persephone season. Written by Harold Pinter, the play focuses on two brothers who invite a homeless man into their home, creating conflict and chaos.
By Matt Cheetham October 22, 2012
Farragut North is the first show of Live Five’s 2012-2013 season. The play, which was adapted to the screen last year in George Clooney’s The Ides of March, is an engaging, riveting narrative, focusing on the back room dealings of political campaigns.
By Victoria Martinez October 6, 2012
The upcoming “One-Queer Show: Challenging the Identity of Woman” at the Refinery is both a personal snapshot of its star and author, Sara Waldbillig and a historical document.
By Blair Woynarski March 24, 2012
“Thank you, it was delicious.”
This line succinctly captures the essence of the play in which it appears, the recent stage adaptation of Margaret Atwood’s “proto-feminist” classic The Edible Woman. Canadian playwright Dave Carley’s script works as a satire of marriage, gender roles and relationships in general, and while it does not push the politics of these issues to their full extent, the play’s many facets offer plenty of enjoyment.