THE UNIVERSITY OF SASKATCHEWAN’S MAIN CAMPUS IS SITUATED ON TREATY 6 TERRITORY AND THE HOMELAND OF THE MÉTIS.
THE UNIVERSITY OF SASKATCHEWAN’S MAIN CAMPUS IS SITUATED ON TREATY 6 TERRITORY AND THE HOMELAND OF THE MÉTIS.
By Thilina Bandara March 27, 2012
For as long as graphics in video games have been realistic, people have criticized video game developers for the vulgar or crass depiction of women. Comically hyper-sexualized female characters are usually written off as marketing tools to pander to younger audiences, and because (so the argument goes) nobody is really hurt in the process, it is often ignored.
Misogyny in gaming is often argued on the basis of pure aesthetics. But the issue of misogyny in gaming is not just predicated on character design anymore; it has grown into something more systemic that frightens me as a gamer. It took a blatant act of laser-guided abuse to understand how many layers there are to sexual harassment in gaming.
By Canadian University Press March 26, 2012
It was a sea of red toques and Bill Murray masks at the Fall Gallery in Vancouver on Feb. 18, as people gathered for “Bill You Murray Me?”, an art exhibit inspired by and dedicated to the one and only Bill Murray. A comic who got his start in the early days of SNL, the actor has since become an unexpected cult icon.
By Canadian University Press March 25, 2012
There are many who believe Justin Bieber changed their life, but few are like me. No, I’m not a 12-year-old girl and yes, I really can’t stand his music.
My story is a bit different. It’s one I haven’t really told anyone before.
By Canadian University Press March 25, 2012
Remember those teen movies where the guy with the guitar — and the less-than-mediocre voice — sits on the stairs with a flock of girls surrounding him? Or that bad-ass, rebel girl who plays bass guitar and all the guys secretly (or not-so-secretly) have a crush on her?
I sure do. And now, almost three years out of my pimple-filled high school days, I still wonder: what makes musicians so attractive?
By Blair Woynarski March 24, 2012
“Thank you, it was delicious.”
This line succinctly captures the essence of the play in which it appears, the recent stage adaptation of Margaret Atwood’s “proto-feminist” classic The Edible Woman. Canadian playwright Dave Carley’s script works as a satire of marriage, gender roles and relationships in general, and while it does not push the politics of these issues to their full extent, the play’s many facets offer plenty of enjoyment.
By Torien Cafferata March 23, 2012
“Dear Esther. The morning after I was washed ashore, salt in my ears, sand in my mouth and the waves always at my ankles, I felt as though everything had conspired to this one last shipwreck. I remembered nothing but water, stones in my belly and my shoes threatening to drag me under to where only the most listless of creatures swim.”
Do you remember what happened to Esther, Donnelly, Paul and Jakobson on the road to Damascus? Because I sure don’t, and I’ve finished the game. The real question is, have I failed a puzzle or have I simply “played” a digital poem? Dear Esther poses these questions and more while, in a smooth English accent, sweetly declining to answer any of them.
By Aren Bergstrom March 22, 2012
Sometimes directors and actors work at cross purposes, causing a film to be disjointed and aimless, regardless of a clever scene here or a good performance there. Unfortunately, such cross purposes plague We Need to Talk About Kevin and are likely responsible for much of its failure as a film.
We Need to Talk About Kevin is a celebrated psychological horror drama that follows Eva Khatachadourian, a reluctant mother, as she deals with her demon-seed son Kevin and the aftermath of his horrific actions at school.
By Matthew Stefanson March 22, 2012
As much as any other job, music can be a grind. With the hectic schedules that most independent bands set for themselves, making a living at it can really take its toll. Matthew Woodward, the drummer for Montreal’s Plants and Animals, sounds like he’s been touring for months.
The band — composed of Woodward, guitarist/bassist/jack of all trades Nic Basque and lead vocalist Warren Spicer — just performed a hectic five shows in three days at SXSW. Their time at the festival didn’t allow the band to slow down, said Woodward.