After a ten-year wait, Emily Haines has blessed us with a luminescent sophomore album in the form of Choir of the Mind.
You didn’t know your heart could break quite like this. Well-balanced and interesting, american dream by LCD Soundsystem ebbs and flows like the tears you cried over your middle-school crush.
The long-anticipated sophomore release from Toronto’s Alvvays is finally here — and it’s post-pop perfection.
Pure Comedy is the third release from Father John Misty. This time around, the lyricist extraordinaire sheds the satirical armour that has characterized his music thus far.
Triplicate is the newest release from the legendary troubadour, Bob Dylan. Despite being a sample of a larger and forthcoming work, Triplicate feels whole.
You might not know it, but we’ve been waiting for this album since 1998. It’s not easy for a decade-defined band to come back into the modern world, but the Jesus and Mary Chain are not going to let you down.
Cascades is a collaborative EP composed by two musical masterminds from Montreal, including pianist Jean-Michel Blais and electronic producer CFCF. Simply, Cascades is stunning.
If you’re pining for a throwback to 2010 angsty indie dramas, fear not, the Shins are back. Heartworms, the band’s first LP in five years, doesn’t stray too far from the jangly quirkiness on which the band was founded.
At the most basic level, this third release from bassist extraordinaire Thundercat is a breakup album. Drunk is a behemoth.
Like the Cranberries — if Cranberries went on vacation in Southern California and maybe joined a cult — this album has surf tones.